Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though slight first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Woodsman denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one important plot development, but it leads to a comically executed rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game releases in British and Irish cinemas from 17 November.
